The original Lesbian Show collective, 1979. This week on FemRadio, out west coast correspondent Stacey Copeland takes us back to the early days of lesbian feminist media.
Stacey is joined by Silva Tenenbein, the founder of one of Canada’s first queer feminist radio shows, “The Lesbian Show” on Vancouver Co-Op Radio in 1979. A former university professor, queer activist, and public speaker, Silva reflects back on the early days of lesbian identity politics and the importance of feminist radio on our airwaves.
And Emily and Rae have your Canadian feminist news headlines, stuff we’re digging this week, and Toronto femme-friendly events!
Source: The Lesbian Show | femradio
Jennifer Hyland Wang (2018) Producing a Radio Housewife: Clara, Lu ‘n’ Em, Gendered Labor, and the Early Days of Radio
This article examines how the writers and publicists behind the pioneering radio serial Clara, Lu ‘n’ Em circulated representations of gendered labor in early prime-time and daytime network radio. Through their satiric impersonations of “syntax-scrambling” midwestern housewives, the careful promotion of the three young stars, and their sale of Super Suds to American housewives, they established gender norms for both the production and the consumption of commercial messages in early radio. The creative team supporting Clara, Lu ‘n’ Em helped write the script for how broadcasters and sponsors could negotiate economic pressures and cultural concerns about women’s paid work in the young medium. By embracing domesticity, the program negotiated the division then developing between prime-time and daytime programming, modeled modern consumer behavior for a mass female audience, and pledged its support for gendered spheres of labor.
This article has also been added to our bibliography.
(re-posted from the Radio Studies mailing list)
The MeCCSA Radio Studies Network (UK) is delighted to announce a ‘Save the Date’ for the forthcoming symposium “Signal Strength: women & media practice in conflict and crisis situations”. In association also with the MeCCSA Women’s Media Studies Network and the British Academy for the humanities and social sciences, the University of Sheffield is planning to host this one day event on Thursday 8th March 2018 – International Women’s Day.
This symposium will examine the extent to which radio – and other forms of media – provide a platform for women who are, or have been, in situations of conflict and crisis. A mix of talks and presentations will address the areas of radio and media, as implicated in women’s experiences of conflict and crisis around the world.
Drawing on practice and academic research, discussions will explore multiple angles such as: – gendering media strategies to improve the recognition and representation of women in peril; issues surrounding the safety and protection of women journalists and aid workers; and the limits and limitation of media freedoms.
Speakers include: Caroline Vuillemin, CEO, Fondation Hirondelle, Lausanne; Dr Helen Turton, University of Sheffield; Tala Halawa, BBC, West Bank. Details regarding further speakers and the cfp will be issued shortly but for now, please save the date! Please direct any queries to firstname.lastname@example.org
Following on from the post on the Call for contributions: SONIC CYBERFEMINISMS The conference will begin later this week. Check it out here.
UNIVERSITY OF LINCOLN, UK
5-6th MAY 2017
DEADLINE FOR PROPOSALS: 12 FEBRUARY 2017
Details here: https://soniccyberfeminisms.wordpress.com/
Another dispatch from Australia:
Virginia Madsen has just published a new article comparing women’s work on features in Australian and Britain in Media Australia International. (And indeed, do check out all of Media International Australia, Volume 161, Issue 1, dealing with women’s work)
This article explores the roles of some of the key women producers, broadcasters and writers who were able to work within the British Broadcasting Corporation (BBC) and Australian Broadcasting Corporation (ABC) from their foundational periods to the 1950s. Despite the predominantly male culture of radio broadcasting from the 1920s to the 1970s, this article considers the significance and long-term impacts of some of these overlooked female pioneers at the forefront of developing a range of new reality and ‘talk’ forms and techniques. While the article draws on primary BBC research, it also aims to address these openings, cultures and roles as they existed historically for women in the ABC. How did the ABC compare in its foundational period? Significantly, this paper contrasts the two organisations in the light of their approaches to modernity, arguing that BBC features, the department it engendered, and the traditions it influenced, had far reaching impacts; one of these relating to those opportunities opened for women to develop entirely new forms of media communication: the unrehearsed interview and actuality documentary programmes.