From the wonderful Radio Survivor Podcast, a new episode devoted to women in sound…
In honor of Women’s History Month, this week’s episode focuses on women in sound. Our guests, Jennifer Hyland Wang and Jenny Stoever, return to the show to discuss sound studies, the cultural politics of listening, the history of women’s voices on the airwaves and on podcasts, as well as broader issues of representation. Jennifer Hyland […]
Source: Podcast #289 – Celebrating Women in Sound – Radio Survivor
Discourse around gender and sound often reflects biases about who should be allowed to take up sonic space: from historical assumptions that women’s voices were unsuitable for the radio, to contemporary biases in institutional policies that work to exclude the work of women in the music industry, as well as continued critiques of female speaking voices for expressing unappealing vocal traits like “uptalk” and “vocal fry”. This event will bring together a diverse panel to discuss these and other ways in which sonic spaces can reflect broader social and cultural issues around gender and representation: Dr. Megan McGurk, host of the popular podcast and film club, “Sass Mouth Dames”, devoted to women who ruled the Hollywood box office from the 1930s-1950s; Dr. Ann Cleare, a multi-award-winning composer and Assistant Professor in Trinity’s Music and Media Technologies programme who will introduce “Sounding the Feminists,” an Irish-based collective committed to promoting and publicising the creative work of female musicians; and Dr. Jilly Boyce Kay, Lecturer in Media and Communication at the University of Leicester and author of Gender, Media and Voice (2020), who will discuss the ways that feminist voices on television were construed as “domestic nags” in the 1970s. ‘Sonic Spaces’ is organised by Jennifer O’Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces’ is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.Please indicate if you have any access requirements, such as ISL/Englishinterpreting, so that we can facilitate you in attending this event. Contact: email@example.com.
Source: Webinar Registration – Zoom
In the last 3 years Sound Women South West Network have trained and empow… Miranda Rae heeft je hulp nodig voor Empowering Women & Girls in radio & podcasting
Source: Inzamelingsactie van Miranda Rae : Empowering Women & Girls in radio & podcasting
Emma Heywood Radio Journalism and Women’s Empowerment in Niger. Journalism Studies. (2020) ahead of print
The significance of radio as a provider of essential news and information in conflict-affected and fragile countries cannot be underestimated nor can its role in contributing to shifts in critical consciousness, changes in behaviour, and raising awareness amongst marginalised groups. This is particularly the case regarding the influence of radio on women’s empowerment. In Niger, women suffer from widespread gender inequality with a 75% child marriage rate, low literacy rates, polygamy and gender-based violence. The most important source of information women have is radio. This article illustrates radio’s impact on women’s rights and empowerment in the world’s poorest country. It draws on extensive fieldwork conducted in 2018–19 (workshops, semi-structured interviews and focus groups) and in-depth content analyses of women-related radio output broadcast by Studio Kalangou, a radio studio in Niger, set up in 2016 by the Swiss-based media development agency, Fondation Hirondelle. The article demonstrates how increasing and developing the targeting of radio programmes to include more women-related themes and improving the content will contribute to empowering women politically, economically and within society.
Source: Radio Journalism and Women’s Empowerment in Niger: Journalism Studies: Vol 0, No 0
Empowerhouse‘s Birgitte Jallov has made her groundbreaking study of women in (community) radio in Europe from 1983 available free online.
As she writes on the Empowerhouse’s facebook page:
We are also now linking to it on our bibliography page.
THANK YOU BIRGITTE and HAPPY INTERNATIONAL WOMEN’S DAY TO YOU ALL!
The 20th century was a time of rapid expansion in media industries, as well as of accelerating demands for equality and recognition for women. While women’s agency has typically been defined through the domestic sphere, the introduction of media into the home destabilised firm boundaries between public and private spheres.Gender and Media in the Broadcast Age demonstrates how women as media producers and audiences in three countries with public service broadcasters (UK, Canada and Australia) have contributed to changes in our understandings of public and private. Justine Lloyd offers a new way of understanding how tremendous changes in social definitions of gender roles played out in media forms worldwide during this period through the notion of ‘intimate geographies’. Women’s participation in media continues to be a key challenge to notions of the public sphere and the book concludes that profound changes initiated in the broadcast era are unfinished in the age of digital media. Lloyd therefore provides rich and valuable evidence of the dynamic relationship between media texts, producers and audiences that is relevant to contemporary debates about a growing gender ‘apartheid’ in a mediated culture.
Source: Gender and Media in the Broadcast Age: Women’s Radio Programming at the BBC, CBC, and ABC: Justine Lloyd: Bloomsbury Academic
You might not expect to find a radio station promoting women’s rights in the Afghan city of Kunduz – but this is precisely what Radio Roshani does.
Source: The woman who dares to run a feminist radio station in Afghanistan – BBC News
Very excited by this new exhibition set up by Jeannine Baker as part of the Connected Histories of the BBC project at Sussex University, and related to her own project at McQuarie University Working for Auntie Beeb: Australian women and gendered career pathways at the BBC
As part of the AHRC-Connected Histories of the BBC, Saturday 1st December 2018 saw the launch of the fifth in the series of BBC websites, 100 Voices that Made the BBC.
Pioneering Women is published to coincide with the centenary of women’s suffrage in the UK, and explores the contribution that women have made to shaping close to 100 years of British broadcasting.
The website includes a large number of clips from programmes which have not been seen or heard since they were first broadcast several decades ago. There are also numerous extracts from interviews, as well as photographs and written documents that are being made publicly available for the very first time.
Source: 100 Voices that Made the BBC: Pioneering Women – Connected Histories of the BBC